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  How might the British Museum re-distribute their artefacts across the urban realm, to invite a dialogue about their value, significance, meaning and interpretation? 
       
     
  Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person.     No one belongs here more   than you   by Miranda July
       
     
  Typography is two-dimensional architecture, based on experience and imagination, and guided by rules and readability.   Herman Zapf
       
     
  It is a creative act. From the simplest form of organisation to the most embracing plastic unity of a work of art, there is a common significant basis: the following up of the sensory qualities of the visual field and the organizing of them. Independent of what one “sees,” every experiencing of a visual image is a forming: A dynamic process of integration, A “plastic” experience.   Excerpt from Kepes, G., & Giedion, S. (1951),  Language of Vision , Chicago: Paul Theobald.